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Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of The Whole Truth, libretto by Mark Campbell with Virginia Opera.
PROGRAM
Service Provider (Weiss/de los Santos)
The Whole Truth (Paterson/Campbell)
Cinderella 99 (Heggie/Scheer)
Performance of I Go Among Trees at Southwestern Oklahoma State University by Southwestern Singers, featuring Micheal Barnes, marimba. The exact date and time are TBD.
Performance of Triple Concerto with the Buffalo Philharmonic Orchestra, JoAnn Falletta, Music Director.
Performance of Triple Concerto with the Buffalo Philharmonic Orchestra, JoAnn Falletta, Music Director.
Performance of works by Nextet at the University of Nevada, Las Vegas (UNLV).
World premiere of Concerto for Alto Saxophone and Orchestra, "Cocktail Concerto” with Knoxville Symphony, Aram Demirjian, Music Director and Conductor, Christopher Creviston, Alto Saxophone.
World premiere of Concerto for Alto Saxophone and Orchestra, "Cocktail Concerto” with Knoxville Symphony, Aram Demirjian, Music Director and Conductor, Christopher Creviston, Alto Saxophone.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Skylights and Joy Ride at the Zodiac Festival’s inaugural concert in Valdeblore, France, featuring the Zodiac Trio.
An online lecture for composers as part of the Indiana University Jacobs Composition Academy Summer Intensive.
Join us for our 6th Season Finale with Andrew Crust and the Mostly Modern Orchestra! Our season finale features Hovhaness, Boulanger, Paterson, Morlock and more! Learn all about Maestro Crust, music director of the Vermont Symphony Orchestra.
Performance of Robert Paterson’s Night Songs by Matthew Treviño.
Performance of Dash, along with world premieres, by Mostly Modern Brass at Mostly Modern Festival.
Join us as we celebrate American composers and America’s first female conductor of a major orchestra, Maestro JoAnn Falletta of the Buffalo Philharmonic Orchestra. Native-Buffalo, New Yorker, and Artistic Director of Mostly Modern (and now Saratoga Springs resident), Robert Paterson, brings us a performance of the first part of his colorful Journey of a Dragonfly.
Performance of Hell’s Kitchen by the Italian Dèdalo Ensemble, Vittorio Parisi, Director, and Conductor, on a program entitled "Sulle ali del novecento xxx," which includes works by Georg Friederich Haas and Marco Quagliarini.
Performance of movements from Robert Paterson’s Thursday for soprano and piano with Emily Solo, soprano, and Variations and Fantasies on an Accordion Song, Geoffrey Burleson, piano.
Performance of Embracing The Wind for flute, viola, and harp, along with brand-new works and premieres featuring the beloved American Modern Ensemble.
Performance of String Quartet No. 2 by the Euclid Quartet.
Performance of Unwind/Wound Up for string quartet and percussion (handpan and cajón), along with new works and audience favorites, featuring the FAB5 quintet.
Performance of movements from Robert Paterson’s Night Songs at the Mostly Modern Festival’s 2025 season kickoff event. World-class opera singers and NYC instrumentalists are coming together at the iconic Caffe Lena!
Performance of Mandala for two marimbas, along with brand-new works and premieres featuring the beloved American Modern Ensemble.
Performance of Life is But a Dream by New Amsterdam Singers, Clara Longstreth, Artistic Director and Conductor.
Performance of Life is But a Dream by New Amsterdam Singers, Clara Longstreth, Artistic Director and Conductor.
Performance of Wound Up/Unwind for string quartet and percussion (handpan and cajón), along with new works and audience favorites, featuring the FAB5 quintet, at Mostly Modern Festival | The Netherlands.
Performance of Variations and Fantasies on an Accordion Song, Geoffrey Burleson, piano on this NO EXIT New Music Ensemble concert.
Performance of Links and Chains by Mostly Modern Ensemble at Mostly Modern Festival | The Netherlands.
Performance of Variations and Fantasies on an Accordion Song, Geoffrey Burleson, piano on this NO EXIT New Music Ensemble concert.
Performance of DASH, along with world premieres, by Amsterdam Brass Quintet at Mostly Modern Festival | The Netherlands.
Performance of Triple Concerto, “Summit” with the Northern Neck Orchestra, with the Grammy-nominated Neave Trio as soloists, led by Grammy Award-winning Music Director Michael Repper.
World Premiere of Red Delicious for soprano and piano, a musical setting of the poem of the same name by Jerome Ellison Murphy, Susanna Phillips, soprano, Mark Risinger, piano.
Performance of String Quartet No. 3 by the Euclid Quartet.
Performance of String Quartet No. 3 by the Euclid Quartet.
Join us for our annual Mostly Modern Mixer, which takes place on Victoria Paterson’s Birthday! Friends, fans, alumni, and faculty unite for this once-a-year ‘happening’ in New York City. The program will feature selections from Robert Paterson’s New York Stories—utterly unique experiences of New Yorkers, set to music—not to be missed!
Residency at Avaloch Farm Music Institute with writer and librettist David Cote to work on In Real Life, an evening-length show that combines and reworks In Real Life I, In Real Life II, and Extraordinary into a new theatrical work.
