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Performance of Look To The Sky by Albany Pro Musica, on this program entitled “I Dream A World,” José Daniel Flores-Caraballo, Opalka Family Artistic Director and Conductor.
Online premiere of a contemporary adaptation of J.S. Bach’s Coffee Cantata (Schweigt stille, plaudert nicht, a.k.a. “Coffee Cantata” BWV 211); arranged by Robert Paterson; Libretto: Christian Friedrich Henrici (a.k.a. Picander); transcribed by David Cote.
Online premiere of Robert Paterson and David Cote’s Cocoa Cantata.
Performances of Eternal Reflections and The Essence of Gravity by The Esoterics on this program entitled GRAVITAS: Investigating gravity.
Performances of Eternal Reflections and The Essence of Gravity by The Esoterics on this program entitled GRAVITAS: Investigating gravity.
Performances of Eternal Reflections and The Essence of Gravity by The Esoterics on this program entitled GRAVITAS: Investigating gravity.
Staten Island premiere of Crossing The Hudson for soprano, baritone and piano, text by Mark Campbell, Marnie Breckenridge, soprano, Sidney Outlaw, baritone, and Jocelyn Dueck, piano. Commissioned by the 5 Boroughs Music Festival. This work will be included on the upcoming Five Borough Songbook, Volume II.
Staten Island premiere of Crossing The Hudson for soprano, baritone and piano, text by Mark Campbell, Marnie Breckenridge, soprano, Sidney Outlaw, baritone, and Jocelyn Dueck, piano. Commissioned by the 5 Boroughs Music Festival. This work will be included on the upcoming Five Borough Songbook, Volume II.
Three playful one-acts uncover some very private behavior with wit, poignance, and sparkling music! (Think Sex and the City meets The Twilight Zone.) THE COMPANION, SAFE WORD, and MASQUERADE explore the future of love, sex, and need with a clever balance of humor and drama. Their contemporary characters collide at the intersection of power and desire to reveal the true longings of the human heart, and the score is beguilingly melodic and every bit as complex as they are. Sexy, funny, and a little bit naughty, THREE WAY is a surprising theatrical experience you won’t want to miss!
Three playful one-acts uncover some very private behavior with wit, poignance, and sparkling music! (Think Sex and the City meets The Twilight Zone.) THE COMPANION, SAFE WORD, and MASQUERADE explore the future of love, sex, and need with a clever balance of humor and drama. Their contemporary characters collide at the intersection of power and desire to reveal the true longings of the human heart, and the score is beguilingly melodic and every bit as complex as they are. Sexy, funny, and a little bit naughty, THREE WAY is a surprising theatrical experience you won’t want to miss!
Three playful one-acts uncover some very private behavior with wit, poignance, and sparkling music! (Think Sex and the City meets The Twilight Zone.) THE COMPANION, SAFE WORD, and MASQUERADE explore the future of love, sex, and need with a clever balance of humor and drama. Their contemporary characters collide at the intersection of power and desire to reveal the true longings of the human heart, and the score is beguilingly melodic and every bit as complex as they are. Sexy, funny, and a little bit naughty, THREE WAY is a surprising theatrical experience you won’t want to miss!
Three playful one-acts uncover some very private behavior with wit, poignance, and sparkling music! (Think Sex and the City meets The Twilight Zone.) THE COMPANION, SAFE WORD, and MASQUERADE explore the future of love, sex, and need with a clever balance of humor and drama. Their contemporary characters collide at the intersection of power and desire to reveal the true longings of the human heart, and the score is beguilingly melodic and every bit as complex as they are. Sexy, funny, and a little bit naughty, THREE WAY is a surprising theatrical experience you won’t want to miss!
World premiere of Crossing The Hudson for soprano, baritone and piano, text by Mark Campbell, Marnie Breckenridge, soprano, Sidney Outlaw, baritone, and Jocelyn Dueck piano. Commissioned by the 5 Boroughs Music Festival. This work will be included on the upcoming Five Borough Songbook, Volume II. NOTE: there will also be a 2PM Composer Chat.
Three playful one-acts uncover some very private behavior with wit, poignance, and sparkling music! (Think Sex and the City meets The Twilight Zone.) THE COMPANION, SAFE WORD, and MASQUERADE explore the future of love, sex, and need with a clever balance of humor and drama. Their contemporary characters collide at the intersection of power and desire to reveal the true longings of the human heart, and the score is beguilingly melodic and every bit as complex as they are. Sexy, funny, and a little bit naughty, THREE WAY is a surprising theatrical experience you won’t want to miss!
Three playful one-acts uncover some very private behavior with wit, poignance, and sparkling music! (Think Sex and the City meets The Twilight Zone.) THE COMPANION, SAFE WORD, and MASQUERADE explore the future of love, sex, and need with a clever balance of humor and drama. Their contemporary characters collide at the intersection of power and desire to reveal the true longings of the human heart, and the score is beguilingly melodic and every bit as complex as they are. Sexy, funny, and a little bit naughty, THREE WAY is a surprising theatrical experience you won’t want to miss!
Three playful one-acts uncover some very private behavior with wit, poignance, and sparkling music! (Think Sex and the City meets The Twilight Zone.) THE COMPANION, SAFE WORD, and MASQUERADE explore the future of love, sex, and need with a clever balance of humor and drama. Their contemporary characters collide at the intersection of power and desire to reveal the true longings of the human heart, and the score is beguilingly melodic and every bit as complex as they are. Sexy, funny, and a little bit naughty, THREE WAY is a surprising theatrical experience you won’t want to miss!
American Modern Ensemble presents an operatic double feature: Stewart Copeland's (from The Police) The Cask of Amontillado based on the story by Edgar Allen Poe, and Robert Paterson's The Whole Truth, libretto by Mark Campbell, based on the short story of the same name by Stephen McCauley.
World premiere of The Whole Truth, a new opera by Robert Paterson and Mark Campbell, based on a short story by Stephen McCauley. A woman confesses an affair to her psychiatrist, but cleans up the details in order not to seem too sordid. Her fabrications lead to awkward questions and complications.
